Sitting in the nave, my eyes are drawn to the juxtaposition of mediums. Projector screen above an iconostasis Above the intricately carved dark wood of the iconostasis, a pale blue presentation slide is projected onto the wall. The digital text, reading "LAW CANNOT SAVE FROM SIN" from Romans 7, is rendered in a crisp serif font, complete with a faintly visible browser tab at the very top edge. Directly below this ephemeral projection sit the physical anchors of the church: three arched icons gleaming with gold leaf. Archangel Michael stands on the left with his sword and shield, the Annunciation is depicted in the center, and the Theotokos holding Christ is on the right. The contrast is striking. The washed-out glow of modern digital convenience hovers right above the rich, enduring warmth of traditional Coptic iconography and carved timber. It is a quiet collision of eras, the web browser UI framing ancient scripture while the painted saints stand eternal guard below.